A few weeks ago I had the pleasure of visiting a unique and intersting display at Cambridge Gallieries – Queens Square. Named Instruments for Free Space - The display was striking in that it sits bathed in light, in the middle of a large darkened room. When patrons enter the room there is silence and then within a few seconds a magical sound creation that blends with the visual display to transport the mind to a place of peace and thought.
The display runs until July 2 so if your in the Cambridge area I urge you to stop by and experience it. I was fortunate to be allowed to take some images of the display and have posted a few of them below along with some information on the artists and the gallery.
Instruments for Free Space
[The User] & Xiaojing Yan
CURATED BY IGA JANIK
May 20 – July 2, 2011
Instruments for Free Space combines two very distinct installation works in sound and sculpture respectively. While both works are created with the use of common objects their ultimate function is an architectural undertaking of sorts, making the instruments in the exhibition a tool for activating space in unorthodox ways.
Created by [The User] – Thomas McIntosh & Emmanuel Madan, a Montreal based collective, Quartet for Dot Matrix Printers is a full scale musical composition written for and performed by a collection of obsolete dot matrix printers. The quartet, while nostalgically and imposingly reminding us that it is being performed by a team of industrial machines, is a unique composition vaguely resembling a classical music score. Its impeccable recording combined with precise sound requirements for installation animates the space through a physical experience of sound as an architectural tool.
In contrast, the grandness of Bridge, an installation work by Xiaojing Yan, exists in the silence of this sculptural work comprised of over 1500 Chinese porcelain spoons suspended from the ceiling and hung in mid air. Their rigorous arrangement gives full form of a Chinese bridge structure. While it is silent and delicate the composition as a whole commands itself as a full scale architectural structure. Its industrial history of mass produced objects (the spoons) is emphasized by the continuous aria of printers’ composition.
ARTISTS BIOGRAPHIES:
[The User] is a contemporary art collective comprised of architect and installation artist Thomas McIntosh, and composer and sound artist Emmanuel Madan. This Canadian duo has attained wide international recognition for their ground-breaking projects Silophone and Symphony for Dot Matrix Printers, which re-imagine relationships between technological systems, culture and human experience in striking ways.
Symphony for Dot Matrix Printers was commissioned in 2004 and nominated for the Nam June Paik Award by Kunststiftung North Rhine-Westphalia. Concept, design & construction: [The User] – Thomas McIntosh and Emmanuel Madan. Software: Thaddeus Thomas, ReDada software. Electronic engineering and manufacture: David Ozsvari.
Xiaojing Yan is a Chinese-Canadian artist living in Toronto. She received her M.F.A in Sculpture from Indiana University of Pennsylvania, USA and B.F.A from Nanjing Arts Institution, China. Her work has been exhibited in galleries, museums and public spaces in China, Canada and United States. Her solo exhibition New Growth will be exhibited at Glenhyrst Gallery of Brant in 2011.
Yan’s works has been published on many magazines, newspapers and books internationally including most recently Sculpture Magazine, Taiwan International Forum and Now Magazine. She is the recipient of numerous grants including most recently CAA(College of Art Association) Travel Grant, Project Grant from Toronto Arts Council, Exhibition Assistant Grant from Ontario Arts Council and Project Grant from Canada Council for the Arts.
ARTISTS WEBSITES:
www.undefine.ca/en/artists/the-user
www.yanxiaojing.com
CAMBRIDGE GALLERIES QUEEN’S SQUARE
1 North Square
Cambridge, ON
N1S 2K6
www.cambridgegalleries.ca




